Original Signed Lithographs, Etchings, Linocuts & Aquatints

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Georgetown Frame Shoppe, established in 1989 in Washington, DC, is a leading fine art print dealer. We specialize in buying and selling works on paper by Contemporary and Modern Masters.

Our collection of lithographs, etchings and linocuts emphasizes artists such as Pierre Auguste Renoir, Henri Matisse, Andy Warhol, Marc Chagall, Pablo Picasso, Mary Cassatt, Joan Miro, Alexander Calder, Francisco Goya, Roy Lichtenstein, and Bernard Buffet. Please feel free to call or email us for further information and pricing.

E-mail us for more information at:

peter@georgetownframeshoppe.com

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  • Original Salvador Dali Hippies Etchings

    Pierre Argillet (1910-2001) was a renowned collector and art publisher, who worked closely with many of the leading artists of the  mid-20th century. However, it is his close collaboration and friendship with Salvador Dali that the publisher is best known for. Argillet first began working with Dali in the 1930s, a time in which Dali truly started to develop his artistic reputation. Dali is synonymous with the Surrealist movement, a process in which the subconscious was accessed for greater artistic creativity.  Although one of the most prominent members of the movement, Dali was also one of the most outspoken and controversial artists of the group. By 1939 Dali had separated completely from the group; for the remainder of his career Dali would develop his own style as an independent artist. Dali’s unique artistic vision led to a long and productive relationship with Argillet. The working relationship between the artist and publisher spanned thirty years and produced nearly 200 etchigs. Their collaboration ended in 1974, when Dali decided to work more with photo-based lithographs. Argillet preferred the more traditional method of copperplate etchings. The pair would remain close friends, however, until Dali’s death in 1989. In 1969, Argillet traveled to India with his daughter; while in India, the publisher took hundreds of photographs, many of hippies who had traveled east on a type of mystic pilgrimage . Having never traveled to India, Dali was compltetely fascinated with the photographs, and with the hippies on their pilgrimage. Dali used these photographs as inspiration for his Hippies series, his own interpretation of the “Love and Peace” years of the 1960s. Surreal, sometimes outlandish characters and scenes are presented in intricately etched lines and whirls. This stunning etching on Japon paper, The Corridor of Katmandu (Field 69-13G) exemplifies Dali’s interpretation seen throughout the Hippies portfolio (1969-1970). The seemingly spontaneous composition, combined with the superior technique, represents Dali at the peak of his artistic maturity. The Corridor of Katmandu is numbered VL/C, and is hand signed in by Dali.It measures 26” x 20” unframed. It has also been verbally authenticated by Bruce Hochman, OS of the Salvador Dali Gallery. For more information about this beautiful etching, or about the Hippies, please  call the gallery. $6,000 unframed

  • Original Takashi Murakami Lithographs

    Takashi Murakami was born in 1962 in Tokyo, and is arguably one of the most influential and prolific Japanese pop artists to emerge during the late twentieth century. Murakami enrolled in the prestigious Tokyo National University of Fine Arts and Music in the 1980s, eventually receiving his doctorate in Nihonga in 1993.  Nihonga is a  nineteenth-century style of Japanese painting that combines Eastern subject matter with Western painting techniques. The popularity of Japanese anime and manga, however, had an outstanding impact on the artist.  Murakami believed that the otaku  culture- the interest in Japense cartoons and video games - was more representative of modern-day Japan. Murakami blended his training in traditional Japanese painting with Japanese pop culture references to create his iconic “Superflat” style. Murkami’s work is instantly recognizable for bright, candy-colored images of cartoon-like characters that are depicted within a flattened, two-dimensional picture-plane. His work seamlessly blends “high art” (work typically seen in galleries) and “low art” (cartoons and commercial art). While Murakami was well known in pop art circles in Japan and the US by the beginning of the 2000s, it was his partnership with Louis Vuitton in 2003 that made him an artist-celebrity. Applying his trademark style to the traditional “LV” logo, Murakami simultaneously reinvigorated the Louis Vuitton brand, and made himself a household name. Murakami continues to produce work today through his “factory”, KaiKai Kiki, and continues to push the boundaries of pop art. This fantastic offset lithograph on wove paper, Homage to IKB, 1957C, is a stunning example of Murakami’s Superflat style. The smiling, cartoon-like flowers are a favorite motif of the artist.  The lithograph is hand signed in silver ink, and numbered 130/300. It measures 20 3/8” x 28 5/8” unframed, and approximately 42” x 34” framed. SOLD

  • Original Sam Francis Lithographs

    This impressive lithograph, titled Beaudelaire, was created by the American abstract expressionist artist Sam Francis (1923-1994). In 1943, Francis began his studies as a pre-med student at the University of California, Berkely; his studies came to a halt, however, when he was called into military service during World War II.  He was seriously injured in a plane accident during training, and spent several years bedridden in military hospitals.  While in the hospital, Francis learned to paint as a way to express his frustrations with being bedridden. After being released from the hospital in 1947, Francis returned to the University of California, Berkely, changed his focus to art, and received his BA and MA. While studying in California, Francis was greatly influenced by American Expressionism, particularly by artists like Jackson Pollock and Clyfford Still. With the support of the GI Bill, Francis spent the greater part of the 1950s living and working in Paris, and later in New York, Europe, and Tokyo in the 1960s. Although he maintained several studios in California, Francis also kept work spaces abroad throughout his career. Sam Francis was a prolific artist, and a dedicated printmaker; he founded the Litho Shop, Inc. in 1970 to print and publish his works on paper.  His work - both paintings and works on paper -  is dramatic, and is often characterized by vivid colors. It frequently references the strong influences that abstract expressionism, color field painting, Japanese art, and French impressionism had on him. Sam Francis is largely considered one of the Twentieth Century's leading abstract expressionist artists, and one of the first post-war American artists to gain international fame. Created in 1986 towards the end of his career, Beaudelarie exemplifies Francis’ work, with its vibrant color and drip and splatter-like composition. It is hand signed is numbered 36/43. It measures 59” x 42” unframed. CALL FOR VALUE

  • Original Henri Matisse Lithographs

    This stunning lithograph, titled Odalisqe, Brasero et Coupe de Fruits, is a fantastic example of Henri Matisse’s artistry in printmaking.  Matisse, one of the most renowned painters of the twentieth century, worked in printmaking for more than fifty years. By the time of his death in 1954, he had completed more than eight hundred lithographs, woodcuts, linocuts, and monotypes.  For Matisse, printmaking was a personal process, and an extension of drawing; he usually turned to printmaking after long, intense periods of painting.  Unlike many artists who relied on close relationships with master printers in their workshps, Matisse had an etching press installed in his studio that allowed him to work as he pleased. The intimate nature of his working environment resulted in sometimes rather intimate prints; the intamacy of his prints are further evidenced by the artist's choice of subject matter.  Matisse regularly used friends and family as subjects, as well as numerous female figures and nudes.  Odalisques made up a great number of these nudes, and were a popular subject for Matisse in the 1920s, following a trip to North Africa.  Dressed or semi-dressed in exotic attire, Matisse’s odalisques appear in a diverse array of poses, and are typically placed against a decorative background of patterned fabrics and oriental rugs.  Created in 1929, Odalisque, Brasero et Coupe de Fruits is an outstanding example of Matisse’s female nudes.  The lithograph numbered 95/100, and is hand signed in pencil. It measures approximately 22 1/4" x 14 7/8" unframed and 30” x 22” framed. It is fully referenced in Duthuit 504. CALL FOR VALUE