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Before his death in 1954, Henri Matisse forbade the reproduction
of his recent original artwork. This publication of the entire corpus
of the last works of one of the few giants of modern art is an event
of major significance in the art of today and tomorrow. It was his
wish that all of his art appear in one volume, a volume that could
stand as the comprehensive manifestation of this period. Now this
conclusive testament of the most brilliant colorist of our time,
reproducing his collages and drawings in truly sustained degrees
of unparalleled excellence is at last available in an edition limited
to two thousand copies.
Henri Matisse's complete work from 1950-1954 may be viewed
here and purchased. Following his completion of the Vence Chapel,
Matisse did no oil paintings whatsoever. Instead, his work consisted
of a personal type of collage, and the freedom of his medium brought
a new facility and dimension to his vibrant genius. Working constantly
in his final years, Henri Matisse reached a dominant expression
in his art.
The first lithographic plates to be included in this volume were executed under
Matisse's own direction in 1954. The succeeding work was completed under the metuculous
supervision of his friend and publisher, Teriade of Verve. As in the earlier
volumes, Picasso and the Human Comedy, The Intimate sketchbooks of Georges Braque, and
Marc Chagall's Illustrations for the Bible, this artwork is magnificent by any criterion.
The color lithographic plates by Henri Matisse, in fifteen to twenty impressions of color,
were printed by Mourlot Freres and the monochrome heliogravure plates were printed by
the master printer Draeger Freres.
Some years ago in a preface to a showing of Matisse's collages, Teriade wrote: "Pure color,
flat color and its corollary, line design, have always directed Matisse's main researches. The miracle
is that he has been able to hold passionately to that primary guiding principle, even to the invention of
his cut-paper art work of today, a logial conclusion and absolute freeing of the painter.
"Draw with the scissors," said Matisse. The cut is the design
even of the color, the shape that color imposes on itself by its
own harmony. The creative movement of the hand operates to cut into
what exists rather than to draw in the imaginary. The pen or the
crayon draws signs in a void. With scissors, the artist keeps the
form in his own hands, weighs it, develops it, disengages it from
the colored mass, makes of it a solid element which will be registered
in the place the eye designates for it, in order that correct resemblances
may have their origin. The work affixing begins. From color to color,
without intervening irrelevancies, communication is established,
the compostion (of the art work) is formed.
"One could attribute to these cutouts of a great painter a character
of relaxation. I believe, with many of those who have seen Matisse
work without letup these last years, that this is a crowning period
in the development of his art and a fascinating date in the painting
of these recent years."
The last works of Matisse: 1950-1954 was reproduced in colour lithography.
These works on paper were executed by the artist, Henri Matisse,
with papers colored in gouache, cut with scissors and pasted. The
first lithographic plates were printed during the year 1954 under
his direction. The lithography in color was printed by Mourlot Freres.
If you are interested in viewing and purchasing these original
Henri Matisse color lithographs,
feel free to look in our modern prints section and contact us.
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Henri Matisse Drawings

Henri Matisse Lithograph
Henri Matisse assembled the "Dix
Danseuse" series in 1925/1927. It is one of his more desireable
series of lithographs to collect because of the detail and size
of each lithograph. There are 150 total lithographs signed and numbered
of each lithograph in the series; 130 on Arches paper, 5 on Chine
paper, and 15 copies on Japon paper.
Henri Matisse Linocuts

Poesies Antillaises
Currently, we have a large selection of beautiful Henri Matisse
lithographs from the famous suite called
"Poesies Antillaises" . The contract between the artist and
the publisher was established in 1947, but financial problems arose,
and then Henri Matisse died. At the urging of Matisse's heirs, the
work finally appeared in 1972, almost 20 years after Matisse' death
by the renowned publisher Fernand Mourlot.
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